แสดงบทความที่มีป้ายกำกับ Literature แสดงบทความทั้งหมด
แสดงบทความที่มีป้ายกำกับ Literature แสดงบทความทั้งหมด

วันเสาร์ที่ 26 พฤศจิกายน พ.ศ. 2554

Historical Dictionary of Modern Chinese Literature (Historical Dictionaries Of Literature And The Arts)

Review Historical Dictionary of Modern Chinese Literature (Historical Dictionaries Of Literature And The Arts) Books


Historical Dictionary of Modern Chinese Literature (Historical Dictionaries Of Literature And The Arts) Overview

Modern Chinese literature has been flourishing for over a century, with varying degrees of intensity and energy at different junctures of history and points of locale. An integral part of world literature from the moment it was born, it has been in constant dialogue with its counterparts from the rest of the world. As it has been challenged and enriched by external influences, it has contributed to the wealth of literary culture of the entire world. In terms of themes and styles, modern Chinese literature is rich and varied; from the revolutionary to the pastoral, from romanticism to feminism, from modernism to post-modernism, critical realism, psychological realism, socialist realism, and magical realism. Indeed, it encompasses a full range of ideological and aesthetic concerns.

Historical Dictionary of Modern Chinese Literature presents a broad perspective on the development and history of literature in modern China. It offers a chronology, introduction, bibliography, and over 300 cross-referenced dictionary entries on authors, literary and historical developments, trends, genres, and concepts that played a central role in the evolution of modern Chinese literature.

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*** Product Information and Review : Nov 26, 2011 16:27:08


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วันศุกร์ที่ 25 พฤศจิกายน พ.ศ. 2554

Historical Dictionary of Science Fiction Literature (Historical Dictionaries Of Literature And The Arts)

Review Historical Dictionary of Science Fiction Literature (Historical Dictionaries Of Literature And The Arts) Books


Historical Dictionary of Science Fiction Literature (Historical Dictionaries Of Literature And The Arts) Overview

The term "science fiction" first came into common use in the late 1920s, when it was attached to one of the many new genres spawned by the American pulp magazines during a brief period of hectic diversification. The kinds of fiction gathered under the label included those previously grouped together in Britain as "scientific romances" and certain kinds of French "contes philosophiques".

This reference tracks the development of speculative fiction influenced by the advancement of science and the idea of progress from the eighteenth century to the present day. It provides an account of the major authors of works marketed under the genre label, various subgenres perceptible within the commercial genre, significant sf magazines and their editors, and significant neologisms coined by genre writers. There are also entries on authors of works of science-based speculative fiction which were, for one reason or another, spared the indignity of the genre label, and on fields of science and technology which have been particularly prolific in provoking such speculation. The list of acronyms and abbreviations, the chronology covering the literature from the 1700s through the present, the introductory essay, and the dictionary entries provide science fiction novices and enthusiasts as well as serious writers and critics with a wonderful foundation for understanding the realm of science fiction literature. The extensive bibliography that includes books, journals, fanzines, and websites demonstrates that science fiction literature commands a massive following.

Although the greater part of science fiction literature consists of gaudy action-adventure stories, couched as planetary romances or space opera, the genre is also—and far more importantly—the only cultural enclave capable of accommodating and developing serious speculative thought regarding the future. Exercises in "non-fictional" prophecy are inevitably confounded by their own paradoxicality, while "sci-fi" movies and TV series cannot accommodate the kinds of e

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*** Product Information and Review : Nov 25, 2011 14:45:22


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วันพุธที่ 9 พฤศจิกายน พ.ศ. 2554

Understanding Richard Wright's Black Boy: A Student Casebook to Issues, Sources, and Historical Documents (The Greenwood Press "Literature in Context" Series)

Review Understanding Richard Wright's Black Boy: A Student Casebook to Issues, Sources, and Historical Documents (The Greenwood Press "Literature in Context" Series) Books


Understanding Richard Wright's Black Boy: A Student Casebook to Issues, Sources, and Historical Documents (The Greenwood Press "Literature in Context" Series) Overview

In Black Boy, Richard Wright triumphs over an ugly, racist world by fashioning an inspiring, powerful, beautiful, and fictionalized autobiography. To help students understand and appreciate his story in the cultural, political, racial, social, and literary contexts of its time, this casebook provides a rich source of primary historical documents, collateral readings, and commentary. The selection of unique documents is designed to place in sharp relief the issue of pervasive racism in American society. Documents include excerpts from other autobiographies and a novel, legal documents, speeches, an interview, an anthropological study, magazine and newspaper articles, and contemporary editorials. Most of the documents are available in no other printed form. From Frederick Douglass, Booker T. Washington, and W.E.B. Du Bois on the one hand, to Black Codes, Jim Crow laws, and white supremacist pronouncements on the other, Felgar creates a dialogue between the voices of oppressed blacks, including Richard Wright, and those of oppressing whites over the issue of race and racism. Students will be able to analyze a variety of perspectives on this issue from the earliest days of the American republic to the present day. Felgar also includes primary documents on the American dream of success, which has remained elusive for so many blacks. A chapter on the American autobiographical tradition uses excerpts from Ben Franklin's autobiography, as well as from those by Frederick Douglass, Booker T. Washington, and W.E.B. Du Bois, to place Wright squarely in the tradition of this genre and show that Wright was more a believer in the myth of perpetual upward mobility than he realized. In a chapter called "The Dream Deferred," documents show how freed blacks were just as enslaved by new and restrictive laws after the Civil War as they had been under slavery. Each chapter concludes with study questions, ideas for written and oral examination, and suggested readings to aid students in examining the issues raised by Wright's autobiography.

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*** Product Information and Review : Nov 09, 2011 05:18:06


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วันพฤหัสบดีที่ 27 ตุลาคม พ.ศ. 2554

The Lost Art of Walking: The History, Science, and Literature of Pedestrianism

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The Lost Art of Walking: The History, Science, and Literature of Pedestrianism Overview

How we walk, where we walk, why we walk tells the world who and what we are. Whether it's once a day to the car, or for long weekend hikes, or as competition, or as art, walking is a profoundly universal aspect of what makes us humans, social creatures, and engaged with the world. Cultural commentator Geoff Nicholson offers his fascinating, definitive, and personal ruminations on the history, science, philosophy, art, and literature of walking.

Nicholson finds people who walk only at night, or naked, or in the shape of a cross or a circle, or for thousands of miles at a time, in costume, for causes, or for no reason whatsoever. He examines the history and traditions of walking and its role as inspiration to artists, musicians, and writers like Bob Dylan, Charles Dickens, and Buster Keaton. In The Lost Art of Walking, he brings curiosity, imagination, and genuine insight to a subject that often strides, shuffles, struts, or lopes right by us.

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*** Product Information and Review : Oct 27, 2011 21:00:21


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